Reviewed by Ted Witham in TableAUS (Australian Mensa News) September/October 2012
Robin Craig’s “Philosophical Reflections” in TableAUS often provoke replies both polite and unmannered from Mensans. In these “Reflections”, Robin presents his highly rational and positivist world-view using the rhetoric of the philosopher. I enjoyed reading a new side of Robin in his novella Frankensteel.
Frankensteel tells the story of an anthropoid robot equipped with an organic brain whose intelligence grows from a few simple learning algorithms. The robot at first appears unable to speak, however, but just the fact of its invention throws the authorities into panic mode. They order its maker Stephen Beldan to destroy it. Frankensteelhas quite a presence in a room, and its first spoken words are effectively a declaration to its maker that it would be inhuman to destroy it. Though the scientist locks the robot away, it inevitably escapes and seeks out the company of Professor David Samuels whose expertise in human consciousness may help it understand whether it is human or not.
Special Investigator Miriam Hunter is ordered to hunt “Steel” down and finds herself drawn into the moral dilemma at the heart of this story: whether this human creation with its intelligence should be destroyed or not.
The story has been told before. Any writer since Mary Shelley’s 1818 classic attempting a re-write of the Frankenstein myth must have a stand-out factor to distinguish it from its predecessors. Its factory setting and its police hunter skilled in dark arts of pursuit and assassinationgive Frankensteel a modern “industrial” and almost noir feel. The character of the professor, in particular, gives Robin Craig the narrative licence to develop arguments for and against artificial intelligence and its relationship to human consciousness. Frankensteel brings the old myth up to date bytaking into account recent developments, both in neuroscience and artificial intelligence.
Set against these protagonists are the shadowy Imagist cult, believing that only human beings are made in the Image of God, and therefore set against machine consciousness. These radicals are capable of serious violence, but the robot uses his intelligent understanding of human beings to survive.
Frankensteel is a novella length story which I read in a few hours. Its chief problem is that the characters are not sufficiently developed for me to care what happened to Frankensteel or any of his friends. It might be stronger if it was compressed to a short story length and then told through the eyes of just one of the characters, Frankensteel himself perhaps, so that readers both identified with his nascent humanity and were also drawn into the discussion about machine and human consciousness.
But I salute Robin Craig for imaginatively raising the issues: I enjoyed meeting Frankensteel.