World War 2: Just War or Just Lies?


Peter Hitchens, The Phoney Victory: The World War II Illusion, I.B. Tauris 2018.

Hardcover 288 pages

ISBN 9781788313292.
In Public Library system.
$27 online. Kindle edition $19.98

Reviewed by Ted Witham

Peter Hitchens knows this book will create controversy. His basic argument is that World War 2 was not a simple victory for the ‘Good Side’: it was both more complex than that and more ambiguous.

Hitchens is a journalist, the brother of the late and more famous Christopher Hitchens, who, unlike Christopher (author of God Is Not Great: How Religion Poisons Everything) has made the journey from atheism to faith. The focus of this book is to make moral judgements about a war that has been lauded and romanticised as a victory over evil.

He cites the fire-bombing of German cities, Rostock, Dresden, Hamburg and Berlin, as an example of the moral wrong committed by Britain. He shows that killing many human beings was the explicit, if secret, policy of the War Cabinet.

He demonstrates that, as a tactic to improve the chances of victory, it was a failure. Even British high command after the war rated the bombing as ineffective. British bombs were both inaccurate and the German people, like the British, were not so easily cowed. In any case, the bombers targeted poorer areas, where resistance to the Hitler regime was most likely to reside.  

Hitchens worries that people will respond, ‘Well, it wasn’t as bad as the Holocaust,’ as if comparing it to a worse evil justifies the action. Hitchens clearly believes that the deliberate slaughter of 6 million Jews is immorality at its very worst, but that doesn’t make the deliberate murder of hundreds of thousands of others good.

Hitchens salutes the bravery of the men who operated the bombers: it is their superiors who conspired in their headquarters to fire-bomb cities whom he censures.

Similarly, the British were complicit in the forcible removal of Germans from Central Europe after the war. Many hundreds of thousands of German women and children died in this act of essentially ethnic cleansing. Some were even forced into Auschwitz two weeks after its liberation. Some were simply lined up at the edge of villages and shot.

Hitchens also debunks the myth of the ‘special friendship’ between the USA and Britain. In fact, the United States demanded that Britain’s gold should be shipped to the States. All of Britain’s reserves ended up in Fort Knox! The USA consistently acted in its own interests and stripped Britain of its imperial power.

Even the Resistance fighters and their supporters in the Special Operations Executive (SOE) played little part in the winning of a war. At the most, the SOE was a declaration that Britain was still in the fight. Hitchens laments the romanticisation of the SOE in much contemporary fiction, not to doubt the bravery and skill of individual operatives, but because of their irrelevance to victory.

While Churchill’s determination to fight the evil of Nazism is recognised, Hitchens is clear-sighted about other decisions of Churchill: the disastrous withdrawal from Malta, his insistence on keeping troops and boats in the Mediterranean and refusing all help to Singapore. It was certainly not Churchill and the British who kept the Japanese enemy out of Australia!

Hitchens concludes,

‘Learning of these events after decades of ignorance, I felt deep shame, combined with immense gratitude for the fact that I live on an island which has for many centuries been safe from invasion, subjugation and arbitrary rule. It is this fact that has kept me safe from suffering and from committing the crimes of war, not any virtue of my nation. It should not keep me from acknowledging that the 1939-45 war was morally far more complicated and compromised that I – a more than usually well-informed citizen – had been led or allowed to believe.’ (219)

Hitchens’ honesty will not be greatly rewarded, but we learn from history only when we know it to be truth. Britain needs to have a complete, not romantic, understanding of its relationship with Europe as it withdraws from the European Community.

The lesson of the book is that all of us need to question war: there may be times when war is necessary, but it is never good. And it is only all of us acting together as an informed citizenry that can call our leaders to account for their false narratives of good versus evil.

A courageous book, accessible in style and well worth reading.

Novel Readings of Australian Men’s Emotions


 

I’ve been reading two new and extraordinary Australian novels: Richard Flanagan’s Narrow Road to the Deep North and Tom Keneally’s Shame and the Captives. Both deal with the Second World War.

My brother and I were born just after the War. He remarked recently how much the men we had grown up with had been marked by that war. We grew up on a farm, and we saw farmers who spent their time drinking not farming; our nearest neighbours lived with their grandparents, but they turned out to be paternal grandmother and maternal grandfather who shared their house. On a remote farm, one farmer loyally cared for ‘Mad Jack’. Today this eccentric would be recognised as an untreated sufferer of Post-Traumatic Stress Disorder.

The novels by Flanagan and Keneally take us to events that damaged many Australian men: the Burma railway and the Cowra break-out.  Both novels, though explicitly fiction, describe the events fully, but exploit what novels do best: they humanise the characters. Both novelists are unusually ambitious. Flanagan’s main character Dorrigo Evans is a doctor who ends up as Officer Commanding the prisoners building the Thai-Burma railway. This is dangerous ground. Australians have made ‘Weary’ Dunlop into a hero and this character is too like the legend of ‘Weary’. But Dorrie Evans believes he is no hero. He is a man just managing to hold himself together in the extreme conditions.

Flanagan shifts the time backwards and forwards between the doctor’s pre-war infatuation with his uncle’s young wife, and his serial womanising after the war. His one real act of heroism may be some years after the war when he saves his society wife and children from a Tasmania bushfire.  But on his death-bed, he has a kind of vision of his heroism on the railway. He remembers when the Japanese guards force him to select 200 men to march to another camp. The men are sick and dying, and he must make selections knowing that he is sending the men to a certain death, others he is saving. Yet he moves through the parade, putting his hand affectionately on the shoulder and naming each man chosen. He gets up early next morning, feeling the heavy responsibility for his choices. In his dream, each man comes up to him, shakes his hand or salutes him with a cheery ‘Thank you, Sir,’ or ‘All the best to you.’ Somehow the little he does, even the mistakes he makes, are seen as heroism, and Flanagan shows us how hollow he feels, almost as though he is a fake, or has been mistaken for someone else.

I was gripped by Flanagan’s depiction of loyalty between ordinary men. Just trying to stay alive in a hellish world, they both helped each other and sometimes failed to help each other. The profound cruelty inflicted on these men created something of beauty, a tiny bloom in the dark jungle. We all know and feel the barrier to giving this bond of mateship its real name. Flanagan dares once in the novel to call it love. The novel also acknowledges how the hardships also ravaged Australian men in ways that their children who are Flanagan’s generation – my generation – are only beginning to understand.

For Richard Flanagan, behind unexpressed emotions the laconic Australian male hides a vulnerability, and many are not only vulnerable but fragile too.

 

Our emotions are unexplored territory, and Tom Keneally, from an earlier generation, knows that our lack of familiarity with the world of emotions makes it difficult for us to explore the emotional lives of others. The Italians and the Japanese in the POW camp at Gawell, the fictional palimpsest for the real Cowra, provide Keneally with contrasting case studies.

I was surprised to learn that most of the detainees were not internees but were prisoners of war. The Italians and the Japanese were kept in separate compounds and had very different attitudes to being captured: the Italians were on the whole relieved. Their allegiance to Mussolini was not deep, and in any case Italy was about to fall to the allies. The Japanese seethed with resentment both towards themselves and their captors. Their ambition as warriors had been to kill or be killed in the service of the Emperor. To be so weak as to be captured was shameful, and they bore their shame with difficulty.

The Japanese despised the Australians for looking after the camp according to the Geneva Convention. This compassion was weakness. They refused to cooperate and found little ways to make life difficult for their captors.

The Italians by contrast were happy to work on Australian farms, to attend Mass with Australian families and to reach out for human contact. We follow Giancarlo, or “Johnny”, the work-release prisoner on the farm of a widower and his daughter-in-law. An affair develops between the two, leading to confusion in the novel’s climax when Tengan is re-captured on their farm after the “break-out”.

Keneally shows us the emotional deafness of career Colonel Abecare and his subordinate Major Suttor, whose main interest was writing a popular radio serial, both to their own feelings and to the cultural-based emotions of their prisoners. The shame of Japanese warrior Tengan and his hatred for his enemy is well-drawn. On the other hand, the contempt of the Koreans for their Japanese superiors is hidden from the Australians. They saw the warrior mentality and loyalty to the Emperor as dangerous and meaningless.

The killings and suicides in the break-out shock the Australians who are not prepared for such extreme expression of emotion. Abecare, the old English soldier, is slaughtered, and the Australians are left to muddle through. And the novelist continues to hint at a kind of cultural autism, an inability in Australian men to read the emotions of others, because they cannot read or articulate their own.

My brother is right. We accepted that generation of damaged men just as eccentrics. It has taken a life-time to begin to understand their impact on us and to learn to love and hate, and fear and enjoy, to be angry and disgusted, and to know that these emotions are the essence of life.